Season 6, Episode 3
Corey Goode: Thank you.
David: What happens next in our big story here?
Corey: Well, next I finally get to repeat my trip to Venus, the one that I'd went on before, but we were unable to complete the trip because there was some sort of scheduling conflict with another group that was visiting Venus.
David: Well, you also seem to have kind of like a confrontation, right? There's these ships that are kind of orbiting around Venus, and I had the sense that they did not want you getting any closer, and it was almost like a military standoff or something.
Corey: Well, there was one that was blocking us, but the communication was going on between Kaaree and them, I presume.
She sat there silently and then told me that we would need to return.
David: So you mentioned in your update [Corey Goode Intel Update Part 2] that August 3  you were told to prepare for this, but this was just sort of to get you ready for it.
David: So how did you get prepared for this?
Corey: I was doing my best to meditate and get in the right frame of mind, because Gonzales had been turned away.
David: So did Kaaree give you any specific instruction as to how to prepare for this trip?
Corey: No, she just told me to prepare myself, that it was about to occur.
David: And you knew that Gonzales had been taken away, and what did the Sentinel tell Gonzales at the time about why he couldn't go in?
Corey: That he lacked humility.
David: Lacked humility?
David: When did you actually get the opportunity to visit Venus? When did that happen?
Corey: About a week later. I was laying in bed, and bright flash, just like the first time I was transported down to the Anshar domain. And after the flash, after my eyes had cleared, I was standing next to Kaaree and two other Anshar in kind of like a foyer that went into the area where they housed their craft, into their hangar.
David: So this is still in the Inner Earth at this point.
Corey: So they guided me inside. We went inside one of the Anshar buses, the one that had the blue seats, and a blue, swirling light opened above us longways like this. We went straight up through it. And as we came up through it, we were now above the ocean and another blue, swirling light below us.
Corey: The craft didn't go longways. [Corey show the nose pointing upwards.] It was still sideways, flat, like I mean parallel to the ground. It shot straight up in the air and out into space through this one little area that they are cleared to punch in and out of the atmosphere through.
Corey: So once we had left, it was uneventful. We didn't have any problems coming or going like we did the one time.
David: Nobody was shooting at you, in other words. Ha, ha, ha.
Corey: Right. But that was in the middle of whatever conflict was going on at the South Pole.
Corey: And this time, she took us to Venus. They took us to Venus. And this time the trip was like 10 minutes. It was much quicker than the last one.
Corey: And we stopped at just about the same position we did before, and we paused there for a little bit, and she was sitting there like she was doing something in her mind. And then she said, “Okay, we're cleared. Are you ready?”
And I said, “Yeah, about as ready as I'm going to be.”
David: Were there any craft in the atmosphere at that time?
Corey: No. The only thing that was showing up on the Anshar technology, it looked like an asteroid and debris with it that was far out in Venus' atmosphere, caught in its gravitational field.
David: Interesting. Okay.
Corey: So once I indicated that I was ready, we headed towards Venus at a super high rate of speed, punching through the thick clouds. I barely could perceive yellowish color, we went through them so fast.
And then we stopped about 1,000 feet [305 meters] above the ground, and I was looking around, and I saw this terrain that looked like it had been eroded by lots of wind and rain, sort of like you would see in Earth. They looked like they used to be mountains going up that had eroded away, and they looked almost like people. It looked almost carved by an intelligent hand.
So I was noticing that, when all of a sudden the ceiling and the floor went transparent, just as it had done in our Antarctic reconnaissance flight.
Corey: And I looked down, and I could see the big, giant, H-shaped building sitting inside this crater.
Corey: And we were close enough to it where I could see there was a line that went across . . . Like here was the H, a line went all the way across it that divided it into basically two buildings.
Corey: And we were sitting there, and I saw down at the bottom a flash that we could see through the technology. Once that occurred, we went down at a very high rate of speed.
David: Are you feeling acceleration?
Corey: No. I couldn't feel any inertia, but my mind was, I guess, playing tricks on me, and I felt that falling feeling you get in your stomach.
Corey: But I wasn't feeling any inertia. And we stopped at the bottom, and the sheer size of these two buildings that were . . . They weren't connected. There's nothing I could compare them to.
David: So these buildings you're saying are colossal in size.
Corey: Yeah, bigger than anything . . . There's nothing I could compare them to, man-made-wise.
David: Would you say they were miles in height?
Corey: It was HUGE!
David: Did they have a sculpted appearance? Did they look like they were made out of something . . .
David: So it was a flat, kind of sharp-edged structure.
Corey: Right. Right.
David: How neat and finished did it look? Did it look broken down and degraded?
Corey: Yeah, it looked ancient.
David: Okay. Wow!
Corey: And weathered. We shot down to the bottom where we saw the flash, and when I was looking up, I could barely see the top of the building.
Corey: It was huge. We flew inside this cavern down at the bottom, and we landed in the area where Gonzales had gone before. It was kind of like a grotto area that wasn't extremely large. The walls were glistening as if there was, I don't know, some sort of crystalline nature to 'em.
Corey: And there were two things similar to obelisks on either side of . . . Okay, there was a door here, a huge door going into the larger part of the cavern. The Anshar craft was here, and then there was an obelisk thing on each side of the entrance to the door, but not exactly by the entrance.
And they had Hs on them, kind of like a totem pole manner going up. And it got smaller and smaller.
David: Okay, got it.
Corey: So once I looked around and I noticed that, and I was looking through the opening, and I could see one little piece of the structure that we were going to go to. And it looked like tinted glass.
David: Were the obelisks that you saw also glass-looking?
David: Stone. Okay.
Corey: And they looked newer. They didn't look real old, but maybe it's because they were protected.
David: Was the H like carved inside the stone, like carved in? Or was it embossed and it came out?
Corey: It was carved in.
Corey: And then – boom! - with no warning, this 14-foot-tall white being appears.
And it's wearing clothing that looks like shiny, white plastic.
Corey: Yeah. And the most interesting thing was that they had black eyes, but they had this nose . . . The bridge of their nose went down, and then it looked like it kind of turned up. Like part of the nose was shooting down, and then this part right here [the tip of the nose] was going up.
It is very odd looking.
David: When you see black eyes, you mean did they have whites of their eyes, or was it totally black? The iris was black?
Corey: The iris.
David: So they have a very unusual nose.
Corey: Right. Chiseled bone structure, real straight lines in the cheeks, and white hair, or what would pass for hair.
And I was a little shocked when it appeared, but it didn't communicate. It just looked at us and then did its head like this [Corey moves his head as if motioning for the group to follow him to the left] and turned and went through the passageway.
David: Did you get the sense that this was a living being or some sort of bio-hologram or something?
Corey: It seemed to be some sort of intelligent hologram.
David: Okay. So it turns it's head and leads you into where?
Corey: Into the larger cavern where this structure was that I only saw a piece of.
David: So when you see the structure now, what are you actually seeing?
Corey: Well, as I walk through and the structures seem to grow as I'm walking in, I look in, and it's similar to a pyramid, except the base was probably . . . you know, it wasn't square. The corners curved into each other.
David: So they were concave.
Corey: Right. And on each point, each corner, there was an area that was open that went up really high and then went back down as it curved around. And it went up about 300 feet. It was really tall.
David: And you said it was like a pyramid?
Corey: Yes. Except it was like a pyramid and a tower. It was like the Eiffel Tower, but it was shaped like a pyramid.
David: More like a steeper slope angle like this, like the Russian pyramids were.
Corey: Yes. And it was over 1,000 feet tall.
Corey: And it went almost to the top of the cavern.
David: How was its level of preservation? Did it look very ancient and damaged?
Corey: It was brand new. Brand new.
David: Brand new.
David: And the room that it was in, did it have stone walls?
Corey: Yes. It was a giant cavern.
David: Wow! Okay. So this must have been just a stunning thing to see. I mean, you've obviously never seen anything like that before.
Corey: You almost fall over backwards. You walk in and you're just, I mean, you're looking up, and you almost fall over backwards.
Corey: So we followed this being that the Anshar call the Sentinel into one of the corners where it arches.
Corey: We walk in a ways, and then we all turn and look at the wall of one of the corner areas.
Corey: And there is a big symbol that Gonzales had described. It looked like a backwards E that was like a G at the bottom that was flattened at the bottom.
And there are other symbols on the other three corners that I couldn't really make out.
And all of a sudden, the tinted glass went clear, and all of these other different types of symbols started appearing, and then they started moving. They were moving this way [to the left], they were moving that way [to the right], catty corner in every direction. It was just moving all around.
And they were like pulsing all the different colors of the spectrum.
Corey: And I was hearing tones as well – a full range of tones along the octave scale.
I was like, okay. And I looked over at Kaaree, and she put her skinny little finger up and said, “Watch”.
David: It's like you're reading other people's mail. Ha, ha.
Corey: Oh, I didn't know what was going on.
David: Ha, ha, ha, yeah.
Corey: So I looked, and I'm watching, and all of this is occurring, and I start asking her questions, and she was like, “Just watch. Pay attention!”
Corey: So I paid attention and was watching, but this Sentinel communicated with me, and it was more powerful than the incident with the White Draco, where it reached in violently and just took over.
I could feel the communication in all of my body at the same time.
Corey: And it simply asked me, “Would you like to know who you were, who you are, and who you will be?” The question I've been asked before.
David: Ha, ha, ha. Same question that you said Gonzales had been asked, and he said, “Yes.”
Corey: Right. Well, I felt compelled . . . I said, “No.” And I saw a movement out of the corner of my eye, and Kaaree went like this [Corey wraps his hands around himself] and looked down and had a big ol' smile on her face. She wasn't surprised.
David: Why do you feel so emphatically that you shouldn't answer “Yes” to this question?
Corey: The feeling I got when it was explained to me that it would change the nature of all my personal relationships. I just . . . I think of my children and my family.
David: So if you get this kind of download, if you get this recall, why would that be a bad thing for your family or your kids?
Corey: I don't know. It's just a feeling I got.
David: So you just maybe have some sort of anxiety about something that might change who you are in such a fundamental way.
Corey: Or maybe deep down I know something that I don't know consciously.
David: Okay. So let's walk through what happens after you say, “No”.
Corey: The being disappears, all of the symbols had stopped. And the only symbols that remained were the ones I described before.
David: Which was the E with the G on the bottom, the backwards E?
Corey: Right. And while the symbols were flying all over the place, one of the questions I asked Kaaree was, “Is this math?”
And before she told me to turn and look again, she was like, “This is a mathematical language of the ancients.”
Corey: And it was over. The being disappeared without saying a word. And the structure went tinted again.
And so we started to walk out and I started asking Kaaree, “What just happened?” You know, I was thinking to myself, “Is that it?”
I was expecting some big tour of Ancient Builder Race ruins, . . .
Corey: . . . and I was disappointed. Let down. And she told me that information had been imparted to me and received from me.
David: So maybe what you saw was almost like picking up the phone on an old dial-up modem, 'eeeee', that kind of stuff. And somehow you could descramble that data, but what you were seeing maybe was not the solution. It was just the code or something like that.
Corey: Well, whatever was imparted to me, I felt like some giant zip file had been put on my hard drive, and I could feel it taking up space, but I didn't have the password. I didn't have access to the information.
And I was telling her, “This doesn't make sense. Why would I have information like this and not have access to it?”
And she said, “It will make sense in the near future.”
David: Do you think that maybe some of the answers to that question are in there as well, possibly, about who you were, who you are, who you will be?
Corey: The feeling I got is that if I would have answered “Yes” to that question, I probably would have had access to it then.
Corey: So we walked back to the Anshar craft. The two pilots were back inside the craft. They had come out with us and were standing at the door of the cavern.
When we came back, they were already in the craft ready to go.
David: Were they all wearing the same ceremonial robes that they had the first time?
Corey: No. They were wearing the blue jumpsuits.
Corey: She indicated that we were now going to go to the Saturn station.
Corey: So we got in the Anshar vessel and took off at a high rate of speed out the way we came. And within moments, we stopped, and I saw Saturn, about the size of a silver dollar.
And I could see like some white dots around it. I couldn't make out what they were. They were probably the moons or something.
Corey: So we're sitting there, and we pause for a moment, and then we head into one of those temporal anomaly spaces just like was by Jupiter that we would travel in to go to the Super Federation meetings . . .
Corey: . . . where you had to go in and come out the same way. So we go into this temporal bubble, and again, all the stars, everything disappears. It's pitch black. And all we see is the station, looks about this big. [Corey hold fingers about six inches (15cm) apart.] It's rounded on this side, and it's out long and has something like this at the end and in the long areas where all the vessels of the Super Federation would dock. And then they would walk in and go into the larger, round area where you hold the meetings.
Well, there were no craft at all. It looked desolate.
David: But how similar was this to the Super Federation meeting space?
Corey: Exact copy.
Corey: It was an exact copy.
David: But nobody's there.
Corey: Nobody's there.
David: Could your ship check for life signs or anything?
Corey: Yes. There was nothing.
Corey: So we docked and got out, walked along the corridors. Real tall ceilings, somewhat narrow walls, but tall ceilings, because a lot of the beings are different sizes than us that would use these facilities.
Corey: So we walked down the long corridor. We came out in the foyer, exactly like the big decorative foyer at the other station, the Jupiter station. And there was no one there.
I've never seen one of these places completely desolate.
Corey: We walked into the main hallway, and it didn't have all the seats in it, the horseshoe-shaped areas where people sat. It was just open floor.
Corey: So we walk inside there, and there appears a Sentinel again.
David: The same guy as before?
Corey: It looked exactly the same.
Corey: So without saying a word, it reached into my mind and immediately started showing me all these scenes. I would see kind of like . . . It would be sort of like seeing movie clips. But some of them were just like maybe less than a second. Some of them lasted like four or five seconds.
But they were just “phffffffff- phfffff-phfffff” flying around like crazy.
David: Scenes of what exactly?
Corey: Well, I saw my life, and I started seeing my memories going all the way back to the earliest point in my childhood.
David: So did it start from where you are now and then count backwards?
Corey: Yes. Yeah. And I was seeing just little, I mean, I saw my dad in this old blue rocking chair that we had when I was a kid. That's one of the ones that stuck in my head. But it was just going by so fast.
David: Did these events seem to have emotional significance or poignancy for you? Were they like significant in any way?
David: It's just a big flash.
Corey: Yeah. And I was just kind of, you know, they were strobing. I was kind of picking one and two out here and there.
And then we started going through memories that were not mine – scenes of past times. It was just very undescript kind of things, but they were familiar.
David: Did you notice what would appear to be like medieval buildings or something?
Corey: No. Inside buildings. Like inside dwellings, like seeing people and real quick flashes. It wasn't something that you could grab and look at and look at all the detail – all of the picture.
Corey: Once we got through that I started seeing these wild cosmic scenes of out in space of these giant physical, tangible spheres that looked extremely large like the size of a moon that were discharging these huge bolts of electricity and destroying large vessels that were coming into the solar system, destroying other giant, large spheres that were coming in that looked technological.
There were like hundreds of these different scenes playing through.
David: Okay. Let's just stop for a second. In the second episode of “Deep Space” here on Gaia, it talks about mysteries of the solar system and it goes into Iapetus [moon of Saturn], and the idea that the moon Iapetus has this very large ridge. It has weird geometric features, and the idea that somebody maybe built that as some kind of a weapons platform.
Is that the kind of thing that you were seeing here?
Corey: Yes, but it was happening so quickly, I wasn't able to hone in on all the fine details.
David: So they were moons that were weapons?
Corey: And then . . .
David: And you just saw, you said, many, many different scenes of like attempted invasions and . . .
Corey: Yeah! Right.
David: Were the moons firing at things that also looked like moons?
Corey: No, they were giant spheres that looked technological, like spaceships.
David: Oh! Okay. Wow!
Corey: But they were really big.
David: That's really impressive.
Corey: Yes, but it was very upsetting to see them function. I was feeling anxiety.
Corey: My heart was beating real fast. I was getting . . . breathing faster and faster as all this was occurring.
David: But let's just stop for one second. I think this is a really important point, which was that long ago you said to me that the Ancient Builder Race apparently constructed these to form a unified protective grid around our entire local star cluster so that nobody could get in and invade us, right?
David: And you also said there's a huge portal right nearby that you could get through to go to other galaxies, which could also make it an invasion route. So we're actually very vulnerable to invasion because we're right at the front door of the drawbridge for the castle.
Corey: Right. And that appears to be what was happening.
David: So this was all these invasions being repelled . . .
David: . . . by these intelligent technologies in these moons.
David: Wow! That's amazing.
Corey: The next two scenes that occurred were . . . I was extremely upset by them. I could see Mars, and it had clouds, it had oceans, it had large, I guess, island-like continents here and there at the top. You could see green.
David: How did you know it was Mars if it looked like the Earth?
Corey: I just did.
David: Okay, fair enough.
Corey: And then you see Mars, and then you see one of these spheres going by like this, [Corey shows Mars in a fixed location and the sphere moving past.] and as it's going by, it's shooting electricity at it and ripping a big old gap across the planet as it's going by.
David: Oh, wow!
Corey: And all the water was turning to vapor, and there was all of this debris that was blowing out of the surface of Mars, blowing out of the atmosphere, and blowing away from the planet.
And other parts of the debris was turning red hot and falling back to the planet.
David: So you're seeing probably billions of people dying as this happens, right?
Corey: Yeah. It was a very upsetting feeling.
Corey: And there was one area . . . I think it was the area where the bolts had entered the atmosphere. All of this vapor was coming out of the atmosphere and freezing in space, like ice dust in space. And it was just pouring out from it.
David: Now, you've previously speculated on this show and in private discussions with me that there was a Super Earth, or we know there was a Super Earth because of Brilliant Pebbles, right?
There was a Super Earth that got blown up, and it apparently was, according to what Gonzales has told you, that their best guess was that it was done by one of these weaponized moons.
Was there any evidence of the Super Earth's involvement in this particular disaster that you saw?
Corey: The Super Earth for some reason, none of that was in any of the scenes that they showed me. I did not see the Super Earth. I did not see a destruction of a planet.
It seemed to be focused around Mars, because after I had seen that scene, I saw Mars again, but it looked more like . . . closer to like it does now. And I saw these flashes on the surface and then these real tall, skinning mushroom clouds . . .
David: Oh, boy!
Corey: . . . that had a tiny little mushroom bulb at the top and had these big rings around them.
David: Rings of smoke, you mean?
Corey: Rings that looked like . . . yeah, like smoke . . .
Corey: . . . going out from them . . .
Corey: . . . and these large oval, like a squished oval-shape, vessels were leaving in all directions. Some of them were headed towards Earth. Some of them were headed towards the outer solar system.
At this point, my heart was beating very heavily. I was starting to hyperventilate, so the scene stopped [Corey snaps his fingers] immediately. And the Sentinel disappeared.
And I looked over at Kaaree, and she was looking at me with a little bit of concern. And she asked me if I needed a moment – if I was okay.
David: Was she able to perceive what you perceived?
Corey: I don't know.
Corey: I don't' know.
David: Previously we had speculated on how the Super Earth was destroyed, and it seemed that when you asked Gonzales, that his best guess was that it was hit by one of these weaponized moons.
Do you think that the Super Earth and Mars were both hit by a weaponized moon during the same war, that those two events happened simultaneously? Because in the past, it seemed like your intel was that it did happen at the same time.
Corey: That was the intel that I received, but as I stated, the Super Earth was not in the scenario at all. It seemed to be centered around Mars.
David: So it's possible that the Super Earth had been destroyed, but that Mars did not get destroyed in that catastrophe like we thought.
David: Okay. We don't really have enough information to tell from what happened there.
Corey: There was no real context or linear incidence occurring. It was just these flashes.
Corey: So I wasn't able to really place it.
Corey: So I was pretty upset.
David: Okay. Right. That makes sense.
Corey: And I don't have a whole lot of emotion attached to Mars. So for some reason, I was very emotional about what was occurring.
Corey: It was very upsetting. You know, after Kaaree basically was like asking if I was okay, we got back in the Anshar vessel to leave. And I don't remember . . . I barely remember walking back to the vessel. I really don't remember the trip back, because I was just sitting there thinking and visualizing what I had seen.
And I asked her again, I said, “What was all this? What was the purpose for it?”
And she said, “Well, this was a repository of the Ancient Builders that was imparted to you.”
And I said, “Well, I can't retain any of the knowledge. I can't pull any memories from whatever this repository is. What good is it if I can't remember it and report it?”
And she did her big smile and told me that it would make more sense in the future, in the near future.
David: Well, if we kind of connect some of the dots of the things that have happened in these updates, it seems like it's centering around the idea that if we don't pull it together as a planet that we're going to destroy ourselves again.
And you saw beings with elongated skulls, you heard from Gonzales the flash freezing, the blocks above the ground. Now you're seeing this catastrophe over here. You're seeing that the sun might do something that could really damage life on Earth unless we're on the optimum timeline.
So why do you think all these different previous catastrophes are being shown to you now?
Corey: I wish I could tell you. I don't have any context. I mean, it's like you're receiving a bunch of information, but you don't know exactly how to apply it.
David: Do you think it could be like a warning sign for us now? Do you think that these visions were given to you to advise us that these things have happened and that we need to work harder?
Corey: It could be, but it would help me warn people if I had more details. Ha, ha.
David: Ha, ha. Well, these beings oftentimes work with mystery. You don't get all the answers. But it sure looks like there's some warnings here, to me.
Corey: Yeah. But on our journey home, I really don't remember it. I don't remember going back through the blue swirl to get back down to the big hangar. I was just . . . I was there, and the door opened, and we were getting ready to get out.
And I was . . . I felt very drained of energy, exhausted emotionally and physically. It was hard to walk. And I was walking behind Kaaree.
And shortly after that, they sent me back to my room – the same method of flash. And I was still in my clothes. I was exhausted. I climbed into bed, and I laid down, and I slept.
And then when I woke up, before I went in to interact with my family, before I could, I sat there and thought about it for a long time, thought about everything that had happened . . .
Corey: . . . and was trying to access this information that I could . . . If you can feel information here and you can't access it, you feel like you've got some sort of neurological issue, you know. It was a weird feeling.
David: And yet you were given this dizzying snapshot tour of your past lives, apparently.
David: So that is like maybe some kind of fast forward or fast backward through that data file.
Corey: So, you know, that's how it ended. And since then, I've had more meetings with Kaaree in “The Construct”. And it's been mostly of a personal nature or a nature of how I should interact with those around me in a way that would work out the best.
David: Basically be nice?
David: Ha, ha, ha. Okay. Well, this has been a really fascinating, dizzying journey. And I just have to offer the personal remark here of how the cross-over between these things blows my mind.
There's obviously somebody wanting us to really put this history together and understand it.
Corey: I agree.
David: So I want to thank you for continuing to do this work. I know it's been very hard on you and your family.
And I want to thank you for watching. This is “Cosmic Disclosure”. I'm your host, David Wilcock, here with Corey Goode. And we appreciate all your help in getting the word out with Full Disclosure.